For more information on the hazards of volcanic ash and vog, go to volcanoes.usgs.gov and vog.ivhhn.org.
Tom Yulsman is Director of the Center for Environmental Journalism and a Professor of Journalism at the University of Colorado, Boulder. He also continues to work as a science and environmental journalist with more than 30 years of experience producing content for major publications. His work has appeared in the New York Times, Washington Post, Audubon, Climate Central, Columbia Journalism Review, Discover, Nieman Reports, and many other publications. He has held a variety of editorial positions over the years, including a stint as editor-in-chief of Earth magazine. Yulsman has written one book: Origins: the Quest for Our Cosmic Roots, published by the Institute of Physics in 2003.
Greens Creek and Casa together generated about 85% of our revenue, all of our free cash flow, and are getting better and longer-lived. They’re also the model at what we’re trying to do at our three other operations — San Sebastian, Lucky Friday, and Nevada. I just came back from Nevada and want to share with you a few of my observations. It reminds me in many respects of where we were when we acquired Casa — more questions than answers, lots of work that we have to prioritize, people that we have to determine their capabilities — and like Casa, we’ve made significant progress. Much of it will not be visible to you in many statistics yet. But Larry’s gonna talk to you about the progress we’ve made in development. It’s been significant, but we are still trying different ways of dealing with different conditions in the mine. So, while we’re in a hurry to get to a steady state, we will take the time necessary to figure out the challenges of these mines so our Nevada operations will never value for the long term.
Assuming their warp drive is something like hypothetical Alcubierre methods, all other forms of propulsion are still going to be affected by mass. Once again, making efficient use of space relevant.
And in a lot of these cases its about trying to fix something that wasn’t broken in the first place. I think they learned change just for change sake doesn’t always work if there is really no underlining reason to do it…other then just to say you’re different.
Did you actualy read the review? Anthony called out the “The Vulcan Hello” as being dubious, and I agree, it’s not a solid example to use. The PD is not about “do whatever you like, just don’t get seen”. It’s about not playing god with lower developed civilizations.
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After having rewatched the episode, I gotta walk back that one grievance I have uttered: “Mrs. Exposition’s” (well, they call her the “All-Mother”, this time around I’ve actually memorised it) monologue actually had some justification in that it was presumably a kind of sermon for the Harvest Moon ceremony they’re witnessing. It still gets somewhat heavy-handed when Burnham gets into that slight spat with her, but it also serves the function to show us that even though New Eden’s belief-system (and by extension presumably Terralysium’s, since she talks about “pilgrimages” to New Eden), although being made up of multiple faiths and therefore being “holistic” as far as religion can be, it’s still very dogmatic.
It looks fake because it literally came out of NOWHERE. There was no compartment on that suit that looked like it could contain the amount of material needed to produce that helmet. Perhaps if they had some large bulky back pack….
Could you explain in more detail on how abrasive blasting can replace hand sanding? Also, is it possible to replace hand sanding when used on cast aluminum?
How do you cast the role of Freddie Mercury? It’s like finding someone to play Mick Jagger or Michael Jackson — at every moment, you’re going up against the real thing, a pop deity who has never stopped living inside our imaginations. Yet in the scrappy and sprawling rock biopic “Bohemian Rhapsody,” Rami Malek, the 37-year-old Egyptian-American actor from “Mr. Robot,” takes on the role of Freddie Mercury as if born to it. Swarthy and insinuating, if neither as tall nor as serpentine as Mercury, Malek has been outfitted with a set of fake front teeth, a recreation of the jutting Freddie overbite that works well enough, though it’s often a bit distracting, because there don’t appear to be any spaces between the pearly whites — it’s like seeing a Freddie who got his teeth capped. That said, Malek winds up looking, and inhabiting, the part to a remarkable degree. Watching “Bohemian Rhapsody,” we always feel like we’re seeing Freddie Mercury standing right in front of us.
My thought is this, when it comes to Star Trek I prefer to use my imagination rather than base everything on reality. It is a fable that shows a potential future I think.
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