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Which is to say, don’t count on them hewing to the novels if it inhibits a story they want to tell.

Tennis star Arthur Ashe Jr. admired his Eastern Grass Court Championship trophy at his home on Aug. 10, 1964. He was the sixth-ranked amateur in the nation that year and beat established players such as Dennis Ralston and Clark Graebner en route to the title.

Highway 137 is closed between Kamaili Road and Pohoiki Road. Kamaili Road is closed between Highways 130 and 137.

Stomp on the brake and you reveal yet another strength. The LT marries the lightweight, high-performance braking package from the 720 to the brake booster from the Senna. Pedal feel is race-car meaty, with less of the usual McLaren dead zone at the top of the travel. It’s a real leg workout to slow the car—and even to start it. As with the Senna, the LT needs a herculean shove on the pedal before the starter button does your bidding.

Barr (Mayeta Clark/ProPublica) A few years ago, Barr came home to find that a natural gas company had moved in next door. The company had started to build a well pad on the adjacent land and even put some of its equipment on his property by mistake. Then came the drilling and fracking, and the bright work lights pointed toward his house.

Offstage, Malek nails the star’s fusion of charm and ego with a suavely nervy command. Freddie, born in Zanzibar (as Farrokh Bulsara), spends the early scenes, set in London in 1970, toggling between his proper Parsi family and the nightlife that lures him like a flame. When he learns that Smile, a local band he’s been following, has lost its lead singer, he belts out an impromptu croon in front of the band’s other members, guitarist Brian May (Gwilym Lee) and drummer Roger Taylor (Ben Hardy), just outside their club gig, and as soon as they hear what Freddie can do they hire him.

Afterburn, Disagree. Action is an essential component of drama, and without a certain measure of well-executed action, there’s bound to be an imbalance for most — not all — stories. Decrying action as pointless is just pointing up bad writing, including action that is gratuitous. You CAN play a space battle entirely with interiors — hell, they’ve done CORBOMITE MANEUVER as a stage play! — but your drama has to be written and pitched at the right level to sustain that approach.

Feldman’s work could be easily reproduced in a laboratory, based solely upon the atmospheric measurements of Methane … ESRL data would probably work.

Why would the empty hull sections have air? They appeared to be used only to move things around via turbolift and worker bee. Atmosphere wouldn’t be needed to do this and both conveyances are sealed off from the outside. As for a use for the empty space, it could be used for mission specific uses. Expanded cargo or shuttle bays, expanded laboratory space, crew quarters, etc. Discovery doesn’t do much without a reason. We might find out the reason for the empty hull space before the end of the season.

But to meet production demand, the industry has expanded what is “reasonable” and “necessary,” residents and legal experts say. Gas producers use hydraulic fracturing, which pumps huge amounts of water and chemicals underground to loosen up gas reserves, and drill extensive horizontal holes to suck in gas from much wider areas. They bring in fleets of heavy trucks and install tanks and pipelines.

Graffiti artist Banksy has highlighted the issue of pollution in the artwork he painted on a garage in Port Talbot.

I was under the impression that the firing of the two showrunners was officially due to how they treated the staff. And they were gone, I believe, after the 5th episode was shot. We will not see an episode without their influence for quite a while.