‘The Venture Bros’ Drops a Bombshell Just to Tell Its Growing Up Story | External Steel Pipe Shot Blasting Machine

And everything else was great. Even the shots of the ship are so much better this season and the crew are all much more interesting.

The fifth episode of the season, “The Inamorata Consequence,” still does that awesome “Venture” thing of plumbing the depths of things that have been mentioned on the show before to drop a lore reveal you probably never thought about, but makes perfect sense. Unlike in the first three episodes of the season, though, when the show was tying off a bunch of threads in “The Morpho Trilogy” just because they were dangling, the latest piece of historical info serves to create a quiet character moment for young Dean Venture (Michael Sinterniklaas) in keeping with Season 7’s themes.

Parquet Courts have a fever, and the only cure is more timbales! If punk and disco had a baby and fed it a steady diet of Adderall, it would sound like “Wide Awake,” the New York rockers’ joyous, unflagging homage to the late ‘70s and early ’80s. With its funky bassline, Dollar Store guitar licks and hyper-caffeinated Latin percussion, it’s a song that could inspire sharp-elbowed crazy dancing even in the staunchest of wallflowers. No cocaine required. – F.D.

Yeah the biggest problem for a lot of us from last season were the Klingons themselves. That was another smart decision the episode did and kept the Klingons away. Obviously we know they are coming back but the show told us its not going to be directly about them and thats a good thing.

The panel has a 144-Hz refresh rate, which should cut down on motion blur and jagged images. At least it did while I was playing Battlefield V, which allowed me to quickly blast an enemy soldier in the chest with my shotgun before doing a 180 and tagging another enemy in the back.

Well, I’ll talk about the exploration. So, you know that $25 million, Anthony, the — half of it will be in Nevada, and the remainder will be split between Casa Berardi, San Sebastian, and Greens Creek. There’ll be very little exploration outside of those four areas.

In January 1961, a woman used a sink located at Old City Hall on East Broad Street in Richmond. An accompanying story noted the eccentricities of the building, including that basins were installed in nearly all offices during construction in the 1890s (in part so that workers could wash their hands after tending to fires).

He continued, “Secondly, in the detailed cleaning phase, solid wet ice particles provide the scrubbing and polishing action which removes any remaining contamination from the surface being cleaned. Water as a blast stripping agent does not offer this cleaning action. Thirdly, once the contamination has been removed, as only wet ice has been used in cleaning, there is no need for an additional rinsing step, which is required when certain chemical cleaning agents are used.”

“If I’m the only bitch on your map/ You gotta delete all those other apps,” starts English singer-songwriter Sakima on this throbbing grunge-pop team-up with L.A.-based producer Robokid. The cold, metallic scraping of the track transforms the most millennial of conversations — deciding it’s time to delete OkCupid, Grindr, Tinder and the like before moving onto a deeper courtship — into a commanding sex-dungeon manifesto. – PATRICK CROWLEY

They say solar flares and solar winds would have destroyed any spacecraft making an attempt. They claim surface temperatures on the lunar surface by day would have cooked the astronauts alive in their suits.

Is “New Light” the most un-John Mayer single John Mayer has ever created, or is this just John Mayer going full Mayer? Lest we forget in the era of Mayer wailing on Frank Ocean tracks or touring with the Dead, he was first a crowned prince of adult contemporary, meaning the breezy yacht rock he adopted in 2018 is merely a bouncier sidestep from his “Your Body Is a Wonderland” origins. What is different about “New Light,” aside from the fact that it was produced by Jay-Z’s go-to guy No I.D., is that Mayer is leaning harder into his dweebish musical persona and seeing the humor in it. “Pushing 40 in the friend zone/ We talk and then you walk away every day,” he frowns in his best rejected-nice-guy voice. “New Light” isn’t really giving us a brand-new Mayer: It’s just delightfully amplifying the Mayer he’s been all along. – C.W.

And I find it very funny that so many fans applauded Fuller’s hire (myself included) and now hate everything he put in place. A lesson in “be careful what you wish for.”