‘Venture Bros’: Are Hank and Dean Destined to Arch Each Other? | External Steel Pipe Shot Blasting Machine

Caught among toxic masculinity, a sequin dress and a teenage crush, a teen skater, growing up in rural Texas, will have sex for the first time in the back of their dad’s truck. (World Premiere)

Yeah the biggest problem for a lot of us from last season were the Klingons themselves. That was another smart decision the episode did and kept the Klingons away. Obviously we know they are coming back but the show told us its not going to be directly about them and thats a good thing.

The notion of two girls doing naughty things has been virtually non-existent in Latin music. “Sin Pijama” (“No Pajamas”) upends the image of the nice girl, with stars Becky G and Natti Natasha unapologetically swapping lines like “I’ve always been a lady, but I’m a tramp in bed.” The fact that “Sin pajama” is an eminently catchy pop-reggaetón track only helps its cause. – L.C.

This is what you call flipping fan expectation: J. Cole, modern paragon of the conscious rapper, beginning the title track and opener-in-earnest to fifth LP KOD with a King Push-like boast of his drug-game prowess ("Ten keys from a quarter brick/ Bentley from his mama’s whip"). Of course, it’s not that straightforward: The brain-sticking refrain is quickly revealed to be somewhere between sarcastic and self-effacing, as Cole spends the verses bragging about his status and smacking down his critics, before switching the subject to the chest-puffed drug dealers he grew up around, with the prideful parallels speaking for themselves. No flip needed for the beat, though: a stripped-down but insistent knocker that gives the lyric both the glitz and the gravity it all calls for. – A.U.

I agree Denny C. I have said in the past they were all put in a tight spot. The entire show was Fuller’s idea. I mean Kurtzman ‘created’ it too but its clear Fuller came up with everything, Kurtzman just went along with it. But yes I would’ve liked to see his original anthology idea. It sounded ambitious to go from Discovery to probably a hundred years past Voyager but probably was turned down due to the costs.

But for many, even though we understand it’s origins, Christmas has nothing to do with religion any more. Just look at what Halloween evolved into.

Dance-pop might not have been a dominant force in 2018, but Troye Sivan turned out one of the genre’s most ebullient delights with lead Bloom single "My My My!" Sivan is tentative, sweet and flirtatious on the bubbling verses, but when he hits the chorus, it’s an exhilarating rush of airy synths and sensual joy that provides a little bit of electro heaven on earth. Coupled with the bold, unapologetic depiction of same sex eroticism in the music video, "My My My!" is a potent dose of queer liberation. – J. Lynch

It’s probably my second least favorite, right after The Vulcan Hello. Though I liked the premiere a bit more at the time.

Any forward-looking statements made today by the management team come under the Private Securities Litigation Reform Act and constitute forward-looking information under Canadian securities law, as shown on slide two. Such statements include projections and goals, which are likely to involve risks detailed in our Form 10-K, Form 10-Q, and in the forward-looking disclaimer included in the earnings and exploration releases and at the beginning of the presentation. These risks could cause results to differ from those projected in the forward-looking statements.

Also keep in mind that methane emissions globally are rising. Scientists are trying to figure out why. Much methane is likely coming from wetland sources, including rice paddies. But there is growing suspicion that some of the increase is coming from oil and gas operations. Much more research is needed. But here too, the administration is not keen to do what’s necessary.

Of the many instances where Swift referenced her public image on 2017′s blockbuster reputation LP, it was her declaration that “My reputation’s never been worse,” from fourth single "Delicate," that was the most affecting. While some of the album’s other hits, including comeback smash “Look What You Made Me Do,” came off as a challenge to her haters, “Delicate” presented the humanity hidden behind her defensiveness, while the song’s vocoder-drenched vocals and lightly bouncing beat — courtesy of co-producers Max Martin and Shellback — made Swift’s latest electro-pop experiment feel like her bread and butter. It wasn’t her biggest Hot 100 hit, peaking at No. 12, but "Delicate" slowly became a pop radio mainstay in 2018, because it’s such a breezy listen and such a relatable sentiment. Isn’t it, isn’t it, isn’t it? — BECKY KAMINSKY

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