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"Fast Color" writer and producer Jordan Horowitz, actress Saniyya Sidney, and director and writer Julia Hart

Ultimately most action scenes are pointless. Even in DS9, most battles could have been done with static bridge shots and Dax reading off what was happening as the camera shook around once in a while.

Lol So I guess you believe WW3 is inevitable? I hope for mankind that we could possibly make it towards a Star Trek future without the need for a nuclear winter and 600 mill dead.

I did think how Pike assumed command was a stretch lol. I still don’t get why Starfleet wouldn’t just tell them before hand (Saru was already going to lose command since they were literally on their way to meet the next captain) but its not a huge deal. But he just sort of become the Captain even after the original mission of finding the first burst had ended. And why is Discovery the only ship investigating?? Again I understood the first burst because it was kind of a now or never thing. But now it seems like they would just use other ships to investigate them if they want a more ‘experienced’ crews. Or why can’t the new captain just be in charge of investigating them from this point on? That was just ignored completely. Its not like Pike is some expert with these anamolies or dealt with them in the past. None of it is a big deal but its clear they are doing everything to justify him being there.

“Eclipse” is a collaborative hyper reality VR experience. For 40 minutes, four players embody the crew of Eclipse II, sent in space to rescue a previous space crew who disappeared. The set up integrates 4D effects and full body awareness. (North American Premiere)

So, maybe a better way to think about it, really, given all the base metals, is that NSR is unlikely to change a whole lot in terms of the value per ton of the stuff you’re looking at versus what you’ve already got.

Do you know how to carry a rational discussion, or do you just parrot talking points over and over again?

The scientists I sometimes hear on NPR’s Science Friday are excitable and funny! Funny like Reno or funny like Tilly. And some scientists, like other people, may have some personality issues. As for Tilly not being “realistic,” I’m an introvert who plays an extrovert and am impossibly awkward in social situations. I was also kickass at my specialty in the military. Things aren’t black/white. Contrast and appositional traits are human, and that’s part of why Tilly is such a hit with many Disco fans.

First, the good. – It was big, flashy and stylish, and so much more fun than anything we’ve seen in the first season. If they opened the show with this, maybe now I wouldn’t be the last one in my local Trek club who still bothers watching it. – The Pike was phenomenal (though it took some time to get used to his “cowboy” manners). I want him have his own show with Enterprise (and it could even be the Frankenprise, I don’t really care at this point). – Saurian makeup was cool. – Enterprise corridor design used the proper color scheme. – Little Spock’s actor was so *straight out of Yesteryear*, it was almost uncanny. – Tilly was positively shining (even though it felt a bit forced at times).

But we don’t see any evidence of the girl’s technical ability or why she’d be trusted around the phaser. I have a feeling dialogue or scenes were cut for time that would have fleshed this out.

Barnard, G. A. 1982 ”Causation.” Encyclopedia of Statistical Sciences, John Wiley, New York

A rock-solid debut from one of VR’s most promising new developers, Apex Construct takes players on a sprawling adventure in a strangely beautiful post-apocalyptic world. The trusty bow and arrow mechanics at the game’s heart provide a fitting template for a full campaign in which you’ll do battle with an army of robot minions. Apex Construct is a game that’s very eager to please those that have been pining for a full gaming experience and, while not perfect, it gets more than enough right to be worth your time.